'A Nice Derangement of Epitaphs'
Leica Q2, 1/250 sec, f/8, ISO 100.
The title is a quote from Sheridans 1775 play "The Rivals" by the character "Mrs Malaprop". The church is St. Mary's Parish Church here in Chesham.
Leica Q2, 1/250 sec, f/8, ISO 100.
The title is a quote from Sheridans 1775 play "The Rivals" by the character "Mrs Malaprop". The church is St. Mary's Parish Church here in Chesham.
Andre H
La Defense
Taken with an M4 and an Elmarit 2.8 21mm in 2008 (another lens I should never have parted with).
Taken with an M4 and an Elmarit 2.8 21mm in 2008 (another lens I should never have parted with).
Brian O
Personally I love the soft subtle contrast of this lens.
Mundon Old Church was being looked after and restored by the Friends of Friendless Churches when I took this a few years ago - you can see the signs of work being done. But I love the shape and past the porch on the left it has an interesting east end. Just past it you can walk down to the petrified oaks on the banks of the Blackwater.
Dave C
“Young trainspotters”, Leica SL2-S, ISO400, 1/400, F/8, 24/90 @35
David Ro
This is Poppy my niece working hard on her artwork. Leica M10D and a 90mm Summicron. Personally I love the soft subtle contrast of this lens.
David Ru
"Person Working", Leica Q2
Dave S
“History - Michael Vowles is a pensioner at the Royal Hospital in Chelsea. He asked me to photograph him by a picture of one of his predecessors (SL3 24-90)
Elaine J
"Winter's Touch", Lumix LX1000 with a Leica lens
Harry H
"Short Back and Sides, Not too much off the top" Leica SL2-S 28mm M Summicron, 1/180th 1600iso F/5.6, Brough Market , taken on the 13th feb 2026
Julian P
HM Queen Elizabeth II at the University of Birmingham, June 1975. The Chancellor, Sir Peter Scott, stands behind the Queen. Leica M2. Scanned from Kodachrome transparency.
Ken G
Ken L
“Blending In” it is taken in Chichester using my Q3 43.
Last September, when the Goodwood Revival was on, I lurked on a high wall by this Zebra Crossing hoping for photos of cool Vintage or Classic cars, or perhaps even the odd Supercar. Plenty passed by with other distractions in the frame, but this Yellow and Black Audi seemed to be perfect Urban Camouflage.
Last September, when the Goodwood Revival was on, I lurked on a high wall by this Zebra Crossing hoping for photos of cool Vintage or Classic cars, or perhaps even the odd Supercar. Plenty passed by with other distractions in the frame, but this Yellow and Black Audi seemed to be perfect Urban Camouflage.
Malcolm R
“Stealing Seeds” taken on the Panasonic TZ60.
Phil C
Musician, Leica M (240), 50mm
Philip G
It is 175 years old and still a striking structure.
Richard B
'At the Seaside’ (February 2026)
Leica Q2: Summilux 28mm f/1.7 lens
Leica Q2: Summilux 28mm f/1.7 lens
A host of lovely images this month
ReplyDeleteAlex B beautifully rendered shot with full range of tones. Just delightful pastoral composition. My third equal place this month,
Andre H you should never have parted with that lense as really lush colours and pleasing composition.
Brian O dreamy colours but the composition is a bit prosaic for me, needs a narrative.
Dave C well observed grab shot.
David Ro charming portrait.
David Rhu I love the enigma here and exposure is spot on. My runner up this month.
Dave S my shot of the month for the clever double composition, great use of differential focus and compelling colours. Great shot.
Elaine J. Delightful colours but lacks a point of interest for me.
Harry H really crisp and well composed shot. Very pleasing.
Julian P a retro classic with knockout colours. I met the Queen twice, she was a gem.
Mine.
Ken L nice photo pun here. Very tongue in cheek use of colours. I admire your patience.
Malcolm R I struggle with wildlife shots so congratulations on catching this chap.
Phil C lovely ironic street shot.
Philip G I love the detail in the repetition in the rafters. Cracking detail.
Richard B my third equal this month. I love the pop of the figure against the monotone bleakness.
1. Alex B. There is much to enjoy in the detail of St Mary’s, not least the headstones which lead the eye across the churchyard.
ReplyDelete2. Andre H. The 21mm wide angle is used to good effect here. I like the converging diagonals and blue tones. A platinum paper might enhance it further.
3. Brian O. A fascinating structure with interesting geometry in the roof. It appears to be timber-framed. The angle of view belies its location close to the river.
4. Dave C. A fun image that maintains the anonymity of the station and the 3 models. The driver alone discloses his identity.
5. David Ro. A lovely portrait of Poppy, seemingly deep in concentration, in control of her art. The diagonal slant is very effective. Great subject isolation from the 90 mm Summicron.
6. David Ru. The sharp focus on the glass serves to create mood when coupled with the softer areas beyond. This image conjures memories of discreet restaurant scenes in London’s Chinatown.
7. Dave S. A truly fascinating idea and one to be nurtured and, although challenging, surely it should be expanded into a series. Executed with precision, the layers and selective focus add to its appeal.
8. Elaine J. A group of trees, some felled, bathed in sunlight and showing the last vestiges of frost on the ground. A busy composition, the grid of shadows holds my eye.
9. Harry H. A candid moment captured through glass. I like the framing. The seated customer is almost an image of the barber, both slightly balding on top.
10. Julian P. The colour rendering in this print has all the hallmarks of a slide. Times gone by in more ways than one.
11. Ken G. The very first image I have seen from an M EV1. The high contrast is appealing; I would have like more detail in the shadows.
12. Ken L. Your wait proved worthwhile. A lively harmonious composition. But the timber fence is unfortunate, a distraction to my mind.
13. Malcom R. A beautiful Goldfinch, always restless in my experience. Well seen, the colourful head markings announce its presence in the vegetation.
14. Phil C. Two candid portraits, or three, most probably on London Bridge? We do not see the musician’s face, but that of a third person largely hidden from view. The musician alone boldly divulges his interest..
15. Philip G. Arc and line: a study in superb Victorian engineering - shape and pattern. The composition is well chosen, the tones a treat.
16. My photo:
Alex
ReplyDeleteA lovely architectural shot, great light and the gravestones in the foreground let the eye wander into the frame nicely.
Andre
The 21mm has been put to good use, it is a tough focal length to make work and you’ve done a good job here. Great light showing off the shape of the buildings.
Brian
What a fascinating structure with a long history, nicely recorded here and in good light.
Dave C
This is a great shot, the children lift the picture above the usual steam train shots and captures their excitement of seeing a piece of history from such a close angle.
David Ro
A lovely family shot, lots of concentration here and the 90mm is a good choice of lens, giving plenty of separation between subject and background as well as allowing you to stand off a little while shooting.
David Ru
Really like this, the condensation on the window reflects the feeling of the heat in the kitchen inside, very well seen and executed.
Dave S
What a lovely portrait, beautifully framed to echo the paining behind, be great to know more about the two people depicted.
Elaine
The winter sun adds atmosphere to the woodland scene and gives a sense of a cold morning.
Harry
I like the way you have framed the shot within the frame of the door, great title too.
Julian
It’s good to have some royalty on the site. It looks like a happy event and the policemen looking on frame the Queen well, lovely work.
Ken G
The ladder picked out in the light draws the eye and gives scale to the fermentation tanks, lovely shot.
Ken L
This is a clever use of colour in the frame, well spotted as no doubt the temptation would have been to select a classic car on its way to Goodwood.
Malcolm
The bird stands out well in the frame and it looks like there is a good meal to be had.
Mine
Philip G
Well done for looking up at the station roof, despite so much modernisation at the mainline stations in London many still have the original beautiful glass structures in place. Works well in black and white.
Richard
I love the crop on this, the widescreen format works well and the splash of colour in the barren landscape works well.
ReplyDeleteAlex B:
A perfect subject for this fine mono shot with good tonal range and plenty of shadow detail.
Andre H:
An interesting perspective that reinforced the impact of these buildings. I was wondering what film you were using.
Brian O:
What an unusual timber-framed church. You photograph almost makes me want to visit it myself.
Dave C:
Without that burst of steam this scene would not have had the same impact.
Davis Ro:
Yes, your lens certainly does give very subtle contrast when used wide open.
David Ru:
A most effective screening effect in this window shot increases mystery.
Dave S:
A perfect and decidedly striking portrait with the added impact of a story to tell.
Elaine J:
Effective use of the low winter lighting.
Harry H:
Were you inside this barber’s shop, surreptitiously shooting from your lap or was it taken through the window - or perhaps you were commissioned!
Julian P:
Good to see a Kodachrome shot again after so many years - you were certainly close to the action that day.
Ken G:
There’s an air of mystery about this scene with that bright ladder contrasting with such deep shadow detail.
Ken L:
That was a stroke of luck with the yellow and black car a good match for the Belisha Beacons.
Malcolm R:
These small sensor cameras can produce some good images, as in this case.
Phil C:
Perhaps an appropriate title could be ‘capturing the moment: had that case been the more usual black I don’t this it would have worked so well.
Richard B:
So simple and yet so effective: great shot.
Alex B.
ReplyDeleteA well composed monochrome.
Andre H.
Well captured, maybe a bit more post processing?
Brian O.
A good personal record shot.
Dave C.
Mine.
David Ro.
A good study in concentration.
David Ru.
Excellent Square monochrome.
Dave S.
A great in-depth portrait.
Elaine J.
Well seen Woodland image, but needs a person walking through it.
Harry H.
Well captured scene, with lots of depth.
Julian P.
A good historical capture.
Ken G.
Slightly sombre, and needs straightening.
Ken L.
Well seen, but I would crop part of the left-hand side, making it square.
Malcolm R.
I would echo Ken L comments.
Phil C.
A well captured monochrome, maybe square format losing part of the top.
Philip G.
Simple but effective, a great exercise in shape and design.
Richard B.
Unusual seaside scene, I like the touch of red.
ReplyDeleteALEX B: A NICE DERANGEMENT OF EPITAPHS
What a shame not to be able to read one! The picture, for me, is the mix of gravestones and not the church behind.
BRIAN O: MUNDON OLD CHURCH
What a beautiful old building - well worth restoration
DAVE C: YOUNG TRINSPOTTERS
Very nicely done - good use of a preserved line.
DAVID RO: POPPY
This is a delight, and no focus other than on the work!
DAVID RU: PERSON WORKING
The outfit and the steamy windows fit together - good picture.
DAVE S: HISTORY
Excellent image.
ELAINE J: WINTER'S TOUCH
The patten of the ground and the sunlight is great.
HARRY H: BARBER SHOP
A very traditional location, but works very well.
JULIAN P: THE QUEEN
What a traditional scene of order and respect.
KEN G: FERMENTATION VATS
Well found and better photographed.
KEN L: BLENDING IN
This must have required patience and a quick reaction.
MALCOLM R: STEALING SEEDS
SUPER PICTURE!
PHILP C: MUSICIAN
Made by people giving each other a sideways glance.
PHILIP G: PADDINGTON ROOF
Still my favourite from all the London termini
RICHARD B: AT THE SEASIDE
SUPER!
Alex B - simultaneously tranquil and imposing, the choice of mono pays off well - and accentuating the clouds creates almost a halo around the tower and another on the horizon
ReplyDeleteAndre H - an almost abstract composition in blues and greys, the oblique reflections of the sky bringing the monolithic buildings to life
Brian O - framed between two trees the church seems firmly planted in its surroundings, a building at one with its environment and worthy of the restoration work
Dave C - bright dynamic image, at its heart the interaction between driver and trainspotters shrouded by the steam - conveying that all are enjoying the day out
David Ro - the soft subtlety of the lens and gentle tones nicely complemented by the diagonal framing which bring a sense of focus and movement
David Ru - the bold (or serendipitous) focus on the streaked window rather than the figure creates a mysterious and effective environmental portrait
My picture
Elaine J - strong patterns embellished by minimalist touches of green and bronze vegetation convey life re-emerging in a barren winter scene, the first hints of spring perhaps
Harry H - mono rendering and a perceptive title combine to make an amusing and quirky observation of an otherwise everyday scene
Julian P - half a century ago the Queen is engaged with member of the public with all eyes of those around on her - a little piece of social history in both content and colour rendering
Ken G - super tonal range from deepest shadows to shining metal give this intriguing composition a tactile quality that draws us tothe ladder
Ken L - well seen, a sort of visual pun that showcases an urban run-around in the world of vintage and supercars, an interesting sideways take on the Goodwood Revival
Malcolm R - well caught, the slightly slanted composition adds punch while the hints of blue flowers garlanding the green foliage help frame the feeding bird
Phil C - the profile of the instrument case prompts us to double take just as the two subjects are doing with their mutual glances, the decisive moment captured perfectly
Philip G - immersively savours the swirling shapes and tones and textures
by filing the entire frame with the roof - revealing structures and patterns usually unnoticed
Richard B - lovely minimalist image, the post dead centre and the the discordant red figure offset but approaching it - really brings out the bleak beauty of the cold seashore.
1. Alex B. Cleverly framed to avoid half headstones and windows. The clock stands at ten to two (not three).
ReplyDelete2. Andre H. There is a slightly claustrophobic feel to these overlapping buildings, perhaps because of the predominance of shade?
3. Brian O. A curious building worthy of restoration, has the work been completed?
4. Dave C. Really well spotted. I like the three youngsters in (descending order of size) and the driver /fireman keeping an eye on them. Bags of smoke and steam adds to the atmosphere.
5. David Ro. Poppy is concentrating hard. Shot at an odd angle perhaps but it works well.
6. David Ru. It is a fairly safe bet that the person working is a chef but whether the runs on the glass are condensation inside the workplace or rain outside we can only guess. It is pure atmosphere and impression but it also tells a story
7. Dave S. Superb.
8. Elaine J. Touches of green and brown in a predominantly monochrome image of winter sun and frost
“
9. Harry H. A captive customer but not as traumatic as sitting in the dentists chair. Slide to open” draws attention to the door.
10. Julian P. That seems a long time ago. A slice of history with lots of smiling faces.
11. Ken G. Big vats, what’s brewing?
12. Ken L. The car is the perfect match for the Belisha beacons and keep left sign, well worth the lurk.
13. Me.
14. Phil C. A curious sight that you do not see every day but the young lady is oblivious, the body shape of the cello case is a touch of unintended humour. A good capture.
15. Philip G. A complex web of iron and glass.
16 Richard B. Beautiful in its simplicity.
1. Alex B. I like the strong contrast between light and shadow. The whisky clouds around the steeple give the church a celestial aura.
ReplyDelete2. Andre H. I am pleased to see this in colour rather than B&W because the reflections of the blue sky are beautiful set against the green foliage. I visited the offices in the 1990’s on a dull day and never saw this magnificent sight captured so well here.
3. Brian O. One can really sense the history behind this simple , yet complex structure.
4. Dave C. Charming photo capturing the moment. Steam will never lose its attraction to the young and old alike.
5. David Ro. Very natural-looking portrait - not easy to do when the subject knows you are there.
6. David Ru. A mundane everyday scene turned into a striking work of art. The sense of hard work captured superbly.
7. Dave S. A stunning portrait, and made all the more pleasing by your choice to crop the Subject’s head to provide a sense of symmetry.
8. Elaine J. I find myself scanning the photo with a relaxed eye to see so many interesting shapes, shades and textures. Perhaps though, with strong leading lines just to the right of centre it could do with a subject in the distance to hold the gaze?
9. Harry H. I like the ‘dead space’ between the chairs, in contrast to the strong portrait framing of the very upright barber. I think it works so well in B&W because I wouldn’t have guessed that this was taken in 2026.
10. Julian P. Oh for the days when police men didn’t have to stand facing the crowd…. Nice piece of social history.
11. Ken G. I am confounded by the light reflected on those ladders! They look as though they have been taken out of a futuristic image and photo-shopped into this scene.
12. Ken L. Mine.
13. Malcom R. Very good composition. The eye/beak seem not as sharp as I would have expected, but with so much in the foreground and background perhaps this is not surprising.
14. Phil C. A most unusual photo. I couldn’t see what was making it so stark and two-dimensional, despite viewing it on several occasions. Finally it dawned on me…. It is completely devoid of shadows. Quite an achievement!
15. Philip G. Strength conveyed with tones of light and dark. A treat for the eyes!
16. Richard B. I am a big fan of framing landscapes in 16:9 and this is a perfect example of how it can be powerful. I love the simplicity and colour palette.
Alex B: Mine ( “A Nice Derangement of Epitaphs”)
ReplyDeleteAndre H: Wonderful. I find the foreground a bit dark - perhaps lifting the mid-tones could brighten it. But still a wonderful image.
Brian O: An interesting historical building.
Dave C: A wonderful picture of a family day out.
Dave Ro: An excellent portrait - one for the family album.
Dave Ru: Excellent work. Very impressionistic. As Saul Leiter said - “A window covered with raindrops interests me more than a photograph of a famous person.”
Dave S: Excellent. The similarities between the two subjects is striking. Having the background image slightly out-of-focus isolates the main subject well.
Elaine J: An interesting woodland image.
Harry H: Good work.
Julian P: A good reportage shot.
Ken G: I find this image a little too dark, especially as the subject is the Vats.i like the highlights on the ladder: it seems to dominate the image.
Ken L: I guess it would have been better with a Classic or Supercar, but we have to use what we can. I admire your patience.
Malcolm R: A wonderful shot of a Goldfinch.
Phil C: A nice street scene.
Philip G: Excellent detail and tones.
Richard B: Excellent work. Almost monochrome, except for the figure in red. Tighter crop? - I dunno.
Regarding the ladder scene. A few asked where. These are tequila fermentation vats at La Altena in Jalisco. The liquid will become either El Tesoro or Tapatio tequilas. Both are excellent.
ReplyDeleteAlex B: A good contrasty “red filter?” Image. I like the sky and church, but as the immediate foreground is so dark I would have trimmed off the bottom. But that is just my taste.
ReplyDeleteAndre H: I echo your comments on the 21 mm lens. I traded mine in for a 24 mm f/3.4, but still hanker over going wider in a prime lens again. I have the R 21-35 Zoom which is absolutely great for me, except being unwieldy and heavy on the M240. Your image reinforces the fun at this focal length.
Brian O: Full of interest - thanks for more than a description. My weakness is I do like verticals to be vertical, and I feel if your software allows you should straighten up the verticals.
Dave C: I love this. Well caught. I hope you also admire such engineering from the past. Thank you.
David Ro: A beautiful study of your fascinating niece. It would be glorious if there was more than a suggestion of artwork and if the whole top of head had made the frame.
David Ru: I can imagine (as person not specified) that this is a chef working in a very steamy kitchen on a cold day, seen through the glass of the outside world. It is imaginative and successful, but I would liked to have known more about the circumstances.
Dave S: Truly outstanding. What an opportunity you had, and this must bring joy to the pensioner, the Hospital and to you (as well as me).
Elaine J: This is my type of photography so thank you for submitting it. I am a realist and just hate “twee names” for images. I do know this is what camera clubs expect and all competitions seem to be filled with similar named images. For me, just give me a location and I will be happy!.
Harry H: Following on from my comment to Elaine, thank you for the location of Brough Market. I assume this must be an indoor space, and not an outdoor market in the traditional sense. You have composed this well.
Julian P: Mine
Ken G: A new camera I see. Nicely used for this image. Do let’s read somewhere (hint, hint) how you get on with it.
Ken L: Well done for a daffodil yellow feature.
Malcolm R: The bird (Goldfinch?) and seeds are in good focus and the title is apt. I guess you are patient and found the time needed to be successful in shooting this.
Phil C: Very nice indeed. Great moment. I suppose you have to be holding a mobile phone if not carrying a cello. The girls has a rueful expression which is essential for this image.
Phillip G: I agree this just has to be photographed and you have done Brunel proud.
Richard B: A Masterpiece. You don’t need sun and warmth, just protection from the elements.
Alex B.
ReplyDeletePleasing Graveyard/church scene, with balanced tones.
Andre H.
The choice of the 21mm lens works just right for this shot, nicely framed.
Brian O.
What an interesting building, nicely framed between the two trees.
Dave C.
Great capture, One can only imagine the sounds and smell’s they are experiencing as the train passes by.
David Ro
Great Portrait, I like the diagonal composition.
David Ru
The focus on steamy window works well, Great shot.
Dave S.
What a great idea, Chelsea Pensioners through the ages. Lovely Portrait.
Elaine J.
I like the way you have captured the shadows, looks like crosses formed across the forest floor.
Mine.
Julian P.
Wow this is one from the past, love the colours of Kodachrome, great historical shot.
Ken G.
Your eye directly goes to the ladder and windows, then you look to the front of the fermenting vats, nice shot.
Ken L.
Well spotted, definitely some camouflaging going on here.
Malcolm R.
Nice wildlife shot.
Phil C.
Nice street scene.
Phillip G
Can’t beat a photo of Industrial iron,
Richard B.
Great colour contrast of the red and blue, great image.
ReplyDeleteAlex B: A very nicely treated monochrome image. For me the tones in the sky with those wispy clouds give the image distinction.
Andre H: Great use of the 21mm lens. Despite the upward view perspective is well controlled.
Brian O: A fascinating building is it Tudor? A timber framed gable end to a brick structure. A country church but with elements of construction I’ve never seen before.
Dave C: There’s something about the trainspotters hunting their Prey which makes me smile.
David Ro: mine.
David Ru: They say less is more. The only detail we have is the water running down the window. But I’ve created a whole narrative based on the out of focus “chef working hard in his street food kitchen on a stormy night in the city. (Or is it just me?)
Dave S: Super. A lovely portrait of both men everything comes together in one image beautifully done. My favourite image.
Elaine J: Colour and detail and texture are all here. There’s great potential for my taste I would love to see more close up details or pattern to capture my attention.
Harry H: I like the framing and the monochrome treatment it adds to the old world charm of a traditional barbershop.
Julian P: You’ve caught a lovely moment in time. The ceremony of the occasion with medals swords and proper coppers. Her Majesty always smiling. Only the colour of Kodachrome would be right for this image.
Ken G: Well captured but very intriguing. The ladder highlighted in the light gives a scale which is unexpected and why climb up and on/into a giant barrel? Is someone in there cleaning the barrel?
Ken L: I love the idea that of all the wonderful super cars that must have passed by your artistic eye chose the repeating yellows to tell the story.
Malcolm R: Never as easy as we like to think. But nicely captured with a lot going on in the frame the Goldfinch looks good in its environment.
Phil C: Well observed and good timing isolating just two characters on the street makes for a strong image and the timing is everything. Her sideways glance is perfect.
Phil G: I enjoy detail images finding pattern and shapes. Monochrome is ideal reducing the subject to line and tone. There’s enough detail here for dozens of great images.
Richard B: Everything came together perfectly. The foggy sea view removed all the unnecessary details the panoramic view striations of fog/sky, sea, snowy land. I always appreciate bold framing when it’s been done with intention. Almost my favourite.