Chesham. 28 July, 2026. Leica Q2. SUMMILUX 1:1.7/28, 1/200 sec @ f/8, ISO 100.
Pigeons hardly ever do what you want them to. In this case, they did!
Andy B
Remembrance Sunday, LEICA M (Typ 240)
Antonio M
Rome Trees: Leica M Monochrom (Typ 246), Summarit 75mm f/2.5, ISO 320, 1/1600
I have a strange/exact memory of the moment I took this picture. It was March 8, it was a Sunday afternoon, and I was taking a walk with my wife inside Villa Pamphili ( Rome’s largest park ). We were enjoying the nice early spring light of roman afternoon. The day after that Italy was totally closed down because of Covid pandemic. I usually do not remember the moment when I took a picture, but in this case I will never forget.
Brian O
A re-enactment based on WW1 at Stow Maries WW1 Aerodrome. I just like the setup. Leica Q Monochrome orange filter.
Dave C
"The train now falling?? leaving the station.” Leica Q3 43
David Ro
End of the pier. I like the low angle and the way the walkers are spaced around the pier. Taken with an M10D and 35mm Summicron.
Dave S
‘Sitting’, Tate Britain M11/21 SEM
Elaine J
Panasonic FZ1000 with a Leica lens
Guy K
Botanic Gardens
As summer draws closer to an end, cool winds and heavy showers nurture the trees of Botanic Gardens, providing both atmosphere and a respite from the crowds.
Leica M10 Monochrom, Leica Elmarit 28mm ASPH, Yellow Filter. ISO 4000, 1/100 sec. @ f/8
Harry H
As summer draws closer to an end, cool winds and heavy showers nurture the trees of Botanic Gardens, providing both atmosphere and a respite from the crowds.
Leica M10 Monochrom, Leica Elmarit 28mm ASPH, Yellow Filter. ISO 4000, 1/100 sec. @ f/8
"Cocktails" image taken whilst on my recent holiday to Rhodes. Camera SL2-S , Lens was 24-70 Vario Elmarit f4 1/3200
Julian P
Kjeungskjaer Lighthouse, en route to Trondheim. Panasonic GX8 Leica DG 12-35 f/2.8. Taken at f=33 mm, at ISO 400 and f/5.6 at 1/1600s.
Ken G
Oktoberfest, Leica SL2 24-90mm
Malcolm R
Flowerpot men, seen in a local florists window and taken on Fujifilm X-E5 and 35mm Summaron lens
Mark F
Nigel T
Bridge over Nunney Brook, Somerset. Leica M10 & Zeiss 35mm f2.8 lens
Peter D
"Man and Arch" A sculpture in a new development near Hammersmith. It just made me smile - which is the point, I guess! Q2 Monochrom 1/125th @ f3.5; ISO 200
Phil C
Twenty years ago I visited the exclusion zone in Chernobyl on a reporting trip and given that I haven't taken anything new this month I'm raiding the archive... This is one of the many stencilled figures of children left by mainly anonymous graffiti artists from Germany and Poland that can be found in Pripyat, home to Chernobyl's workers that was evacuated soon after the nuclear accident at the site. Leica M6, 35mm Summicron
Richard B 
‘Attitude’ (candid: September 2025)
Leica M11M/50mm Lux: ISO800, f/2.8, 1/500 sec.
Leica M11M/50mm Lux: ISO800, f/2.8, 1/500 sec.
Andy Biggs October 2026
ReplyDeleteAlex B – In B/W this works well and the statue does stand out well – the birds and wispy clouds fill in the sky well
Antonio M – Interesting crop and the barrier it portrays does remind us of the restrictions of Covid, which were the explained context helps.
Brian O – I do find the re-enactment “scene” interesting and although never been to one, would be interested in discussing why people take part, especially the civil war era, I suppose it’s about history and certainly the WW1 and 2 eras encourage the restoration of historical vehicles. Looks a good scene – a wider aperture perhaps? I’d also be interested in how colour filters effect digital images. I guess if you’ve got a Monochrome camera, same as when shooting film? How does it look through the EV? Can’t see how they’d work using a colour DNG file and converting later?
Dave C – I wondered where it was taken, as it looks like a heritage line? Probably more likely to be on time, when compared to full public service?
David Ro – Like the reds and contrast with the blue, has a touch of a lazy Sunday stroll.
Dave S – Museums are always interesting places and you’ve just caught this right with the sculpture and figure in the foreground. Great.
Elaine J – Interesting how the colours in the river have changed due to the bridge and the reflected brown, although the bridge looks grey.
Guy K – good light and sweeping curve. Low light as ISO 4000 used? See comments above ref: coloured filter on Monochrome camera.
Harry H – touch of Hockney. The colour contrast and pool texture great – shame the umbrella was brown – but does fit with the hair.
Julian P - stunning view point – I guess from a ferry or headland? Sky has real feel about passing weather.
Ken G – yes it has to be Oktoberfest. Captured well – not certain if the waiter needs to be sharp - can see DoF being a challenge.
Malcolm R – Quite amusing, could also be seen in a hairdressers?
Mark F – classic location, good lines and links with the reds, sky also excellent – a stormy day?
Nigel T – an English tranquil scene, captures a warm day well. I wonder about the wall on the left?
Peter D – Yes, amusing. I did wonder if a wider shot may have shown more of the sculpture and its setting.
Phil C – very interesting. It seems such a long time ago but I remember being in Europe soon afterwards and wondered about what the future would hold. I wonder what you’d fine now. A good reminder of the price we could all pay.
Richard B – well framed and taken. Certainly has attitude and works well in BW. Like the polish/refection on the floor.
Hi Andy, in answer to your question on ISO 4000, yes the light was low and I rarely use a tripod as I prefer to be spontaneous. High ISO on the M10M is not an issue for me as it has no Bayer filter array, light reaches the pixels directly resulting in lower noise and higher light transmission. Files remain remarkably clean and usable well into high ISO settings. Leica claim strong performance up to around ISO 32,000–50,000 depending on post-processing and tolerance for monochrome grain. So by default I prioritise shutter speed over ISO aiming to minimise camera shake. I also prefer creative over technical and the noise on the M10M can be quite grain-like.
DeleteThanks Guy - I was a slow convert to digital really and should really explore the potential of using higher ISO settings. It certainly is a benefit over film, especially the ability to change "mid roll".
DeleteAlex B.
ReplyDeleteInteresting subject, but finding the background a bit distracting.
Andy B.
A competent crowd picture.
Antonio M.
An interesting composition but confusing.
Brian O.
A good environmental portrait.
Dave C.
Mine.
David Ro.
Pleasing Seaside scene.
Dave S.
Good range of tones interesting monochrome candid.
Elaine J.
A colourful summer capture, branches from the left are distracting,
Guy K.
A well balanced monochrome image, but highlights are bit bright.
Harry H.
A David Hockney style of image, well captured, but maybe take a little bit of the right-hand side.
Julian P.
An interesting, pleasing seascape.
Ken G.
Captures the spirit of the occasion.
Malcolm R.
Well, seen candid.
Mark F.
A very well crafted image.
Nigel T.
A good black-and-white rural image.
Peter D.
Well seen, but the picture is at the bottom of the image.
Phil C.
A very poignant image.
Richard B.
Unusual figure study.
Alex B
ReplyDeleteA well captured moment - perhaps a tighter crop would add a little more impact.
Andy B
An interesting group shot on Remembrance Sunday - with typical seasonal weather.
Antonio M
The letterbox format makes this shot almost abstract, the foliage extreme right is a little distracting and could be cropped off.
Brian O
I do like this image it’s full of interesting detail, the corrugated iron shuttering provides a realistic backdrop to the figure in the foreground.
Dave C
The caption makes this image - which induces a touch of vertigo to the viewer.
David Ro
The low angle works well with figures spaced across the central part of the image, there is a too much foreground which could be cropped a little adding impact to the overall image.
Dave S
Well spotted - the sitting figures both human and abstract make an interesting scene, the dark foreground figure leads the eye upwards to the brighter gallery entrance at the top of the frame.
Elaine J
An unusual view of the bridge with well retained detail, the shadow cast by the bridge leads the eye to the scene on the far bank, the foliage top right breaks the rather bland sky up nicely.
Guy C
A most peaceful scene, the lack of human interest is welcomed and adds to the overall restfulness of the image.
Harry H
This feels like it’s an advertisement for an island holiday! I do like the reflections in the pool water and splash of colour given by the cocktails.
Julian P
I find this a most interesting seascape with the lighthouse in the foreground the main point of interest whilst the background is nicely broken up by low islands and a dramatic sky.
Ken G
Oktoberfest’s are fun events and the happy smiling waiter with a hand full of beer captures the mood well.
Malcolm R
I do like the figures to the left and right, however, the centre lacks interest, perhaps there is more detail there that could be enhanced in post?
Mark F
The experiment works well, a low viewpoint and the lines receding into the distance draws the viewer’s eye to the figure in red and the structure at the end of the pier.
Nigel T
Mine.
Peter D
This is a fun image, the installation enhances the locality, I would like to have seen all of it, the missing top bit is a little jarring to the eye.
Phil C
I do like this image, the scene of enforced urban decay and the stencilled image of a child combine to tell a chilling story.
Richard B
A well captured candid image, it makes me wonder what has t caused the woman to make such a strong pose.
Alex B: Mine
ReplyDeleteAndy B: Welcome to the Circle. An excellent reportage photograph.
Antonio M: I find this a bit confusing: I’m not sure what the subject is, but it has a pleasing range of tones.
Brian O: A pleasing wide-angle portrait.
Dave C: I’m wondering if this is on a heritage line. I think the “dutch-angle” helps the image stand out from the usual photo’s one gets from these places.
David Ro: Nicely done. The low viewpoint is excellent.
Dave S: Very good. The humans are matching the artwork. Well seen.
Elaine J: Excellent work. I like the portrait format. The bridge acting as a lead into the building and people on the opposite bank. A nice bit of foliage in the foreground and a reflection.
Guy K: Welcome to the Circle. An excel monochrome: a good range of tones. One wonders where the path leads.
Harry H: I really like the symmetry here - the people, the drinks, and umbrella being off-axis breaking that symmetry and adding a little tension. I may have cropped the little bit of sunlounger on the right edge but retained the square format. Excellent.
Julian P: Where you on a Hurtigruten cruise? A very good image - the red of the lighthouse makes it stand out from the muted natural tones of the scene.
Ken G: How do they manage to hold them like that? Were they all yours? It’s a very nice environmental portrait. The soft background helps the subject pop. Good work.
Malcolm R: The interest is really the Flowerpot Men (Mill and Ben?) but they are competing.
Mark F: An excellent shot. I think your experiment has worked. The colour coordination of the life saver and the persons jacket is excellent and contrasts nicely with the green of the navigation tower.
Nigel T: A nice English rural or village scene, nicely framed by the wall and trees.
Peter D: An amusing image.
Phil C: An excellent bit of reporting. A reminder of the lives affected by the disaster.
Richard B: A good candid image, although I am left wondering why the attitude - to what is she responding?
Guy's comments part one:
ReplyDeleteAlex B
A sharp image with good tonal range, nice capture with the position of the pigeons adding to the composition and clear leading lines drawing you into the image. I really like the sky and the way the clouds are positioned around the head of the statue and the pigeons, though I think it would be even stronger if the clouds were a little more to the left. There are a few minor things I find distracting: the pole in the mid-ground cutting through the windows and the chimney; the brightness of the highlights on the left side of the pole and the statue; the sharp background competes with the main subject of the statue and combined with the kerb stones bottom right, drew my eye away from the subject.
Andy B
I like the way this shot captures the British character, the use of the umbrellas adds to the story and the arrangement of the people works very well. I like the interactions across the group and particularly the 2 people in mid-conversation behind the foremost umbrella, they are in the ideal positions in relation to the man in front. The textures and shapes of the buildings work well in monochrome and I like the way they bring a balance to the image.
Antonio M
The panoramic format works well with this subject matter, the foremost tree trunks provide a good structure and contrast well with the darker trees behind but less so with the leafless trees. Is it possible to draw out any more detail in the clouds at the top?
Brian O
An interesting image with a good subject matter and good use of leading lines and depth of field. I like the side profile of the soldier and the way the monochrome brings out the texture of his tunic. I feel a few tweaks to the positioning of the soldier in the frame could potentially make this a stronger image: having the dark gun against a lighter background, getting his left hand into the frame and angling the soldier or the camera position to lift the soldiers head above the line of the fencing and house.
Dave C
The prominent red and yellow colours of the train balance well with the blue sky, good use of leading lines from the train, the tracks and the platforms. Interesting angle works well with the position of the train. Would like to see more space between the front of the train and the edge of the frame, especially at the bottom.
David Ro
Well timed shot to capture the spacing and position of the people, the 3 couples work well and the dark clothed fisherman in the background adds interest without distracting. I like the correlation of the red trousers front left and red jacket centre, which also contrast well with the blue of the sky. Overall I like the use of depth of field though I think it would be stronger if the couple front left were sharp and the blue bollard behind his lower right leg removed in post processing.
Dave S
The capture of light, the tonal range, and the relationship between the postures of the people and the right hand statute make this a stand-out image. The only slight distract for me is the angle the shot was taken from making the room appear to be tilting to the right.
Elaine J
I like the way the elements of this composition are balanced, with strong leading lines from the bridge and its shadow. The positioning of the people in the frame contrasting against the darker backdrops behind them works well. The exposure of the trees and the retention of shadow detail is well controlled given the harshness of the light. However the wide dynamic range has exceeded the limits of the camera to the detriment of this shot, maybe consider revisiting this composition under softer lighting conditions. The brown colour of the water, whilst probably realistic, is a little off-putting and the leafy branches in the foreground I find distracting, partly because they are a similar shade to their surroundings but mainly because they distract away from the main elements and leading lines.
Guy's comments part two:
ReplyDeleteJulian P
Well composed shot with good use of the islands as leading lines and nicely exposed with good detail in the sky. I also like the feeling of depth with the sharp foreground with hazy mountains in the background. I’m thinking the use of a polarising filter could have helped control the glare on the surface of the sea particularly closer to the foreground. The buoy to the left of the lighthouse is nicely aligned with the jetty, though the one on the right is a little distracting. In an ideal world it would have been good to get a higher vantage point to bring the position of the top of the lighthouse below the horizon.
Ken G
An appealing subject, those beers look great, emphasised well by the use of depth of field. There is good use of light on the subject and overall is nicely exposed. I would be tempted to crop in from the right to concentrate more on the subject. I really like the interaction with the waiter though I would prefer to see him in a little more in focus.
Malcolm R
Nicely composed shot, love the use of dark and light tones and the way they are positioned within the frame, though maybe with a little more space on the left to capture the full ear. This looks like it is shot through the glass of the window in which case the control of the reflections is impressive, though some are visible around the head on the right, which could be removed in post processing.
Mark F.
A well composed shot with strong leading lines and well spaced elements within the frame, demonstrating effective use of minimalism. I really like the spacing of the 3 red elements, which contrast well with the blue grey sky whilst strengthening the composition and complementing the leading lines. The left side is the strongest part of the composition. The shot is well exposed with good detail in the sky, though I think some dodging to lighten up the walkway and some burning to darken the lighter cloud at top of the sky would add to the image.
Nigel T
A well composed image, nicely timed to capture the well-lit couple in a good position on the bridge and highlighted against the contrasting darker background. The exposure is well controlled despite the harsh lighting conditions. I would be tempted to crop in from the left to reduce down the messier trees/shrubs and also darken the wall and vegetation on the bottom right corner.
Guy's comments part three:
ReplyDeletePeter D
A good choice of interesting subject matter with the darker paving adding a clear leading line towards the main subject. Is it possible to increase add texture and contrast to the arch and the man? I would be tempted to crop in to remove some of the background especially top left, also with a narrower depth of field and with the critical focus being on the man.
Phil C
Really interesting subject brought alive by the stencilled figure, I love the way he appears to be positioned sitting on the wall and staring into the cellar opening. I wonder if the composition would benefit from a tighter crop?
Richard B
Great tonal range across the monochrome spectrum with excellent control to ensure the tones of subject are distinct from the background. I also like the use of the shadow/reflection on the floor but am less taken with the sharp line between the dark floor and the light walls cutting through the subject. The positioning of the woman in the frame and her posture certainly add to the attitude. I feel the composition would benefit from more space around the subject, and I would be interested to see something in the frame that gives some insight into the cause of the attitude.
Ref. Question by Andy Biggs
I’d also be interested in how colour filters effect digital images. I guess if you’ve got a Monochrome camera, same as when shooting film? How does it look through the EV? Can’t see how they’d work using a colour DNG file and converting later?
Andy, your assumption is correct, the use of colour filters work the same on a monochrome sensor as they do on black and white film. As a default I tend to shoot the majority of my M10m landscape shots with a medium yellow filter, it emphasises the sky, darkening blues and drawing out detail in the cloud. The yellow filter also works well with green vegetation helping to emphasise separation between the subtle differences in green hues. Agains you’re quite right regarding the use of colour filters on a colour digital sensor, which will only serve to create a weird colour cast.
Thanks. I’ve never used or handled one of the monochrome cameras, so it’s interesting to learn about their use. I’d be interested to find out about differences between a monochrome file and converted colour file. I’ll admit to setting the JPEGs to monochrome but use the raw file to process. The jpegs give a quick preview, bit like a contact sheet, if we can remember them !
DeleteHi - A on a learning curve here and realise I need to log on - or otherwise I'm "Anonymous" - so apologies, the above post are from myself.
DeleteAlex
ReplyDeleteWell you got lucky with the wildlife here, or did you somehow throw birdseed onto the statue?! It works well in back and white and the wispy clouds echo the paving nicely.
Andy
A strong picture with each person seemingly ignoring the camera, deep in their own private moment as befits the occasion. The typical British weather adds a solem touch too.
Antonio
The tree trunks almost seem like prison bars, and then your caption adds to that feeling. It’s a great picture of a particular moment in time we can all remember.
Brian
A lovely photojournalistic style of shot. I like the sign that reads The Strand, though if he were in a real trench he’d better lower his head or dig a deeper trench.
Dave C
A good record of the train. I do like a tilted camera and often use it when shooting motor sport.
Dave Ro
The Summicron 35mm is one of my favourite lenses, so compact and smooth to use. The low angle works well and the couple wearing the same jackets adds to the form of the frame.
Dave S
Top work! This is my kind of picture, catching the museum visitor in the same post as the exhibit is lovely. I suppose it is a shame the other person is there, but such is the life of a street photographer.
Elaine
It’s an unusual angle, but it works well with the shadow of the bridge seemingly forming a crossing on the muddy river.
Guy
This is a lovely subtle black and white, the eye being nicely led into the frame. The tree that stands at an angle adds a note of tension to the frame and along with the lovely tones is what makes this for me.
Harry
This looks like a still from a brochure and couldn’t have been posed better. Good spot. I also like the way they are barricaded against the outside world by a long wall of glass, not sure what is says but it says something.
Julian
The construction of the lighthouse must have been interesting to say the least. What a fascinating place, it makes me want to visit. Is the lighthouse operational these days? I assume if so it will be controlled remotely.
Ken G
A nice relaxed pose, it captures the feeling of Oktoberfest, though I’m assuming early in the day as opposed to after a full day celebrating. Nice shot.
Malcolm
This is well seen, the window dresser has obviously had some fun here. I like the tones of the shot, I hope the chap on the left was rewarded with some flowers.
Mark F
Low down pier shots seem to be the thing this month. This works well too, the splash of red echoed in the frame draws us along the wooden boards. Nice shot.
Nigel
An idyllic scene in an English village. Good to see a Zeiss lens paired with an M10.
Peter D
I can see why it made you smile and pleased you shared it with us.
Mine
Richard
I do like the tones and light and shadow of the bag and clothes. The title of the picture adds a different dimension, which is clever and means the picture has different ways of being read.
Alex B: A lively composition, with the pigeons adding piquancy to the solid statue and the delicate clouds adding delicacy.
ReplyDeleteAndy B: A thoughtful documentary image, the umbrellas and subdued weather reinforcing the solemnity of the occasion. The gathered figures each seem absorbed in their own private reflections.
Antonio M: An intriguing pattern, the arrangement of trees, with the narrow panoramic framing emphasising their vertical rhythm. The sense of enclosure gains particular poignancy from the Covid context.
Brian O: A convincing historical scene, with the soldier's profile and richly textured uniform giving the image an authentic period character. The surrounding details help bring the re-enactment to life.
Dave C: The jaunty angle gives this railway photograph a sense of movement and energy. Strong colours and converging lines make an engaging composition.
David Ro: A cheerful seaside observation of a somewhat grumpy couple, with the low viewpoint giving prominence to the strolling figures and the two splashes of red enlivening the predominant blue grey.
Elaine J: An effective perspective on the bridge, particularly how the horizontal boards underneath are mirrored in the rippling water.
Guy K: Tastefully restrained monochrome study, with the sweeping path drawing the eye gently into the distance. The angled tree adds a pleasing interruption to the otherwise peaceful scene.
Harry H: Artfully composed, almost like a staged tableau. The symmetry of the figures and drinks, offset by the umbrella, gives the image a playful, slightly Hockney-like quality that Harry noted.
Julian P: A dramatic maritime landscape, with the little red lighthouse providing a strong focal point anchoring the receding islands amid the immense sea and sky.
Ken G: A suitably convivial Oktoberfest portrait, the waiter's expression and improbable handful of beer glasses conveying the spirit of the occasion. Well executed, the background adds context without distraction.
Malcolm R: An amusing piece of visual observation, with the contrasting figures creating an unexpected relationship across the shop window. The semi-monochrome treatment helps unify the playful composition.
Mark F: Well structured composition, with the receding pier drawing the eye towards the distant figure while repeated red accents provide a particularly satisfying rhythm.
Nigel T: A quietly idyllic English village scene, with the bridge and surrounding foliage providing a natural frame. The small figures bring life and scale to the peaceful setting.
Peter D: The sculpture’s quirky take well spotted in an everyday setting, and well suited to mono to avoid unnecessary distraction.
Phil C: A poignant documentary image, with the stencilled silhouette bringing a human dimension to the abandoned urban setting. The contrast between innocence and destruction is especially affecting.
Richard B: A striking portrait, with the unusual and confident composition reflecting the assertive pose. We get a real sense of the subject’s personality without seeing her face - great portraiture.
Alex B
ReplyDeleteIt took me a while to spot, but it's very funny. We've all tried to take shots of still pigeons! Well caught.
Andy B
A very nice grouping. The looks on their faces conveys so much...
Antonio M.
Intriguing. I think I might have liked to see a bit more of the canopy, but you use the trunks to great effect.
Brian O.
I saw some drawings of soldiers on guard duty in WW1 the other night and this brought those right back. It captures the spirit.A good picture. Is it a frequent display?
Dave C.
It makes it look like it's going fast. Surely not! Fun framing. Like it!
David Ro
I like it for all the reasons you give. The angle and the distancing of the couples on either side is great.
Dave S
I love the juxtaposition. I bet he got up immediately you pressed the shutter. I doubt he's ever been compared to a Henry Moore before! At first I wondered about the framing, but the more I look at it the more I think it's just right.
Elaine J
Very nice. I keep thinking I recognise where it is, but can't quite place it. I like the way that the bridge draws the eye in.
Guy K.
I'd like to see a larger version of this. The overall image is calm and cool, as you say, and I like it very much but the leaves on the trees to the upper right seem to loose definition for an M10M. I can't make out whether it is simply because the tress are more in the daylight, or whether it is an effect caused by shrinking the image. It contrasts with the shadow which is well-exposed and detailed.
Harry H
Great composition. It wouldn't have worked without colour, the splashes of red really make it.
Julian P
For me I think I would have liked more focus on the lighthouse. Perhaps cropped tighter left and right.
Ken G
German camera in German city for Oktoberfest. Nice portrait of him - apparently at a relatively calm time.
Malcolm R
Really fun. I often take similar sorts of things. What are they? Are they simply decorative? Were the colours that subdued or did you knock them back? Anyway they brought a smile to my face.
Mark F
At first I expected straight lines, but... The splashes of colour contrast so well with the North Sea light. I like it.
Nigel T
What a lovely spot. The placing of the figures is just right; not too far off centre and more than enough to draw the eye.
Phil C
Nasty assignment but fascinating picture. The artists were brave to go into the zone that early, presumably years before you did.
An historical record.
Richard B
All I can say is "She has, hasn't she!" Beautifully caught. The slight lightening around the foot of the wall at smaller sizes on one of my smaller screens (an optical illusion I am sure), the gradations in tonality from the M11M and the reflection of her legs on the polished floor really make this work.
Thanks Peter, I have a higher resolution version on my Vero page - https://vero.co/guykeenphotography/K-NGmxtgnHnzkNKm14Ftkn5p The leaves are sharper in this version though there is still degradation of detail due to blown highlights. This is often the biggest challenge of shooting landscape on the M10M. To counteract this I regularly underexpose by 1/3 to 3 stops and use the excellent shadow detail recovery ability of the monochrome sensor. This shot was underexposed by 1/3 but in hindsight I should've gone further to protect the highlights.
DeleteOctober Leica
ReplyDeleteAlex B: A simple and dramatically processed image. This is what a 28 mm lens does. For me a more focused view of the soldier and pigeons would have been more satisfying.
Andy B: Great Leica photography. A moving picture for me. I admire those braving the elements.
Antonio M: I like the story behind the image. Thank you for sharing. I will need to return to the image to appreciate it.
Brian O: Re-enactments usually involve much action, so it is good to see what is a static stage-set. I just wonder how it was used during the day. For me The Strand name-sign makes it authentic!
Dave C: I do question the motive for tilting the image. It is hardly a realistic and honest photo with this device. So why?
David Ro: So well timed AND with some splashes of red. I wonder how patient and invisible you had to be. Great stuff.
Dave S: I have lost the plot here. If it had been better lit, or less contrasty, I might appreciate what is human and what is display. I just cannot fathom the object on the right side - human or no.
Elaine J: Another of your relaxing images. I This seems to be an unhurried world.
Guy K: I hardly take images in high summer (or prefer monochrome) but the end of summer comes as a relief when variety of color returns. So, was this before the color change, and which Botanic Gardens, Cambridge perhaps?
Harry H: Red cocktails - masterly. But why not recrop the image for a dead centre pole and lose clutter from the left?
Julian P: Mine
Ken G: a really happy image with good times ahead. You had the gentleman’s co-operation and you “served him well”.
Malcolm R: A rather up-market flower pot design, that provides amusement that has been well captured. An interesting body/lens combination which I will research for my own interest.
Mark F: The right moment and the right point to be standing. Very pleasing and with an interesting sky to complete the decisive moment.
Nigel T: It looks like a very well-executed image of a scene that could be of another age. All looks like the era of Miss Marple.
Peter D: If Man is part of the sculpture then I feel it is pointless. If the Man is just an observer, I would say the rest of the sculpture looks cheap.
Phil C: A very telling image. Especially with such a global focus on Ukraine. I am curious what else you found and photographed - and where the project le.
Richard B: I have looked at this for a long time (and even showed it in a lecture I gave last night to the Dingwall Camera Club). There is something about it that appeals. No face, just unkempt hair staring into nothingness.
Thanks Julian, it was shot in Churchtown Botanic Gardens, Southport.
DeleteAlex B.”Chesham"
ReplyDeleteVery well seen, I hope you didn’t have to wait too long to get the image.
Andy.B “Remembrance Sunday”
Lovely shot of people giving thanks to those whom have given so much for their country.
Antonio M. “Rome Trees”
Your picture gives the impression of clam and stillness, which was a premonition of things to come.
Brian.O “Re-enactment”
Nice Shot, lovely tones, I love re-enactment shots, It’s like peering through a window in time.
Dave.C “ The Train now Falling”
I have to tilt my head to view this image, a nice creative shot, taken from an elevated position
David.Ro “End of the Pier”
Nice composition the couple sitting down acts as an anchor and the two couples on either side adds balance to the overall image, its a shame their is two pops of red colour, my eye is at odds where to focus first, nice image well seen.
Dave.S “Sitting”
Interesting, that the chap on the bench has a mirrored pose to the sculpture behind him, well seen.
Elaine J “no Title”
Nice contrast of colours, almost a Kodak film feel to the image.
Guy.K “Botanic Gardens”
Lovely Monochrome shot of tree’s and foliage in the Botanic garden.
Mine.
Julian.P “Lighthouse”
Lovely composition overal very pleasant image.
Ken.G “ Oktoberfest”
Some feat by the Waiter holding 4 beers, Nice image.
Malcolm.R “Flower pot men”
Names I guess would be Bill & Ben “Flobberpop”. Interesting shop window image.
Mark.F “Whitby Pier”
I like the low angle of this shot and the way the wooden planks leads my eye towards the red figure in the distance
Nigel.T“Bridge over Nunmey brook”
Lovely monochrome image, great lighting and tones.
Peter.D “man and arch”
Very humorous,Well captured
Phil.C “No Title”
The stencilled graffiti on the wall gives an harrowing sight of mans mis-use of Nuclear material.
Richard.B “ Attitude”
Attitude indeed,I wonder what’s she’s looking at? What ever it is she does’t look very happy.
1. Alex B. Monuments and memorials, seemingly cast in stone, are never quite the same in the urban landscape; nature ensures momentary change, whether it be the presence of perched birds, distant cloud or the light as here.
ReplyDeleteThe background is a little too intrusive, to my eye at least.
2. Andy B. Authenticity in group photos, documentary in style, can present a challenge in photography The success of this photo (imho) is that there is no evidence of individuals playing to the camera, no doubt because of the commemoration but also the skill of the photographer.
3. Antonio M. I like the symbolism in this truncated landscape. The tree trunks appear cage-like, restricting access to the wider world beyond. This interpretation is prompted by the photographer’s own words.
4. Brian O. An environmental portrait, carefully framed and well presented in monochrome. It suits the 20th century story.
5. Dave C. An interesting record shot, elevated to something more by the unusual angle of view. I like the playful use of perspective. Trains can be very photographic.
6. David Ro. This image is well executed, constructed with care in terms of composition - passing human interest - colour and the low angle of view.
7. Dave S. The whim of the photographer, prompted by the diverse seated figures, is all about juxtaposition. The figures, both animate and inanimate, are fair game, all treated as exhibits. A fun image made more special by the high angle of view.
8. Elaine J. A single, colourful landscape image in portrait format. Would it be a travesty to suggest this photo also contains 'stand alone’ alternative images in the upper and lower halves of the frame. I especially like the abstract reflections in the lower half.
9. Guy K. An impressive interpretation of a rural scene.The light is well seen, beautifully recorded, the composition enhanced with the line of the woodland path. I like this very much.
10. Harry H. The various elements of this colourful, geometric scene combine effectively to unify the whole. The cropped sunbed (rhs) seems a little unfortunate, an unnecessary distraction easily removed in a light crop.
The reflection in the pool is reminiscent of Hockney in LA.
11. Julian P. The colours are special, not least in the sea. I like the visual separation of the lighthouse and island, hopefully by design. With a stunning Norwegian coastline so close to home, who needs to travel far!
12. Ken G. There is no mistaking the subject of this image. Effective use of selective focus has ensured an otherwise busy setting is subdued sufficiently to enhance rather than distract.
13. Malcolm R. This is charming in a light-hearted, whimsical way. Well seen. That reflections do not interfere with the composition is down to the care and technique of the photographer. The centre of the frame is a little empty.
14. Mark F. A familiar scene expertly executed through careful construction, including timing and use of a shot or two of primary colour. I especially like the alignment of the cast iron railings with the distant horizon.
15. Nigel T. A timeless image taken in bright sunlight, typical of a British summer. The direct gaze of the man adds interest, suggesting a discreet, chance interaction with the photographer.
16. Peter D. Playful and imaginative, the darker tones draw the eye ensuring clarity. There is surely a place for photographing artworks when the photography adds to the whole.
17. Phil C. Images from Chernobyl can be powerful whether in monochrome, or colour as here. Perhaps this man-made scene is unchanged today, save only for the interminable encroachment of nature. We can but wonder.
18. My photo.
1. Alex B. An appropriate subject for this time of the year. Side lighting gives prominence to the statue against the dark sky. A step or two to the left would have hidden the satellite dish.
ReplyDelete2. Andy B. The remembrance theme continues, Always a good idea to turn the camera to the crowd at any event, I wonder what memories are being evoked here.
3. Antonio M. It is the story behind this picture that gives it meaning, the idea of the trees acting as bars to keep us confined, ironic that it was taken just one day before the covid lockdown..
4. Brian O. That Is quite a set up there, hope he kept his head down. A subject suited to B&W.
5. Dave C. The odd angle give the train a definite sense of movement and me a sense of vertigo. Roller coaster.
6. David Ro. The red, white and blue. Three nicely spaced couples, it is the coincidence of the red trousers and coat that make the picture for me.
7. David S. Rather dark this one, the identical poses of the exhibit and the hatted gent appaeals.
8. Elaine J. The underside of the bridge gives a good lead in to the tiny figures on the far side of the river
9. Guy K. Lovely soft tones here set off by the white border. After two named storms this last week I hope the trees are still intact.
10. Harry H. It's a hard life ! Red white and blue again. Nicely composed and well suited to the square format.
11. Julian P. The high angle of this shot enables the small islands behind the lighthouse to be separated. The sea looks calm and peaceful but all the islands suggest treacherous waters.
12. Ken G. Great portrait/ snapshot of the event .Couple of short measures there ?
13. Me.
14. Mark F. Its the matching reds theme again. The low angle puts the figure's head above the horizon line and the end of the pier on it.
15. Nigel T. Pleasant scene, the two hats set against the dark trees give the finishing touch.
16. Peter D. Great fun, at first glance it appears to be a real human being.
17. Phil C. Not a pretty picture but a powerful one given the backstory. The area is now said to be subject to drone attacks
18. Richard B. One of your art gallery pictures presumably but the absence of art (hidden by the figure ?) gives it a strange new perspective.